This page contains a discussion of the rock art found at El Morro National Monument in New Mexico. All photographs are from our our personal collection. If you'd like to see more rock art from this location, or if you'd like to see higher resolution or larger images, send us an e-mail message and we'll see what we can do.
Rock Art
At El Morro we find both ancient examples of primitive rock art, mainly petroglyphs, in association with historic signatures recording the passage of both Spanish and Anglo soldiers and settlers. Most of the images and signatures can be found along a high cliff face composed of soft sandstone. The petroglyphs are few in number, and weathered or obliterated in some area, but are none the less interesting. The historic signatures are in many cases quite elaborate and ornate, while other examples are mere scratches.
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The main image on this page shows a pair of shields as well as various other less prominent examples of the rock art at this location. The piece above is quite unusual and may be more historic than ancient. It is hard to determine just what it represents, but it looks a bit like the hand grip of a fancy sword. The sequential spirals are intriguing.
This petroglyph appears to show a pair of bear paws along the edge of a lake or other water source, with the water represented by the wavy line.
This zoomorph appears to be a quail, with its distinct body shape and little tuft of feather above the head. It is a very simple, straight forward use of lines to depict a common image.
All of these photos have been resized and manipulated in Photoshop to give the best representation of the image. Some color distortion is inevitable. If you would like to see higher quality versions of these shots, or if you would like to use these images for any purpose, please contact us and we would be glad to help if we can.
In most cases it was easy to distinguish the historic signatures from the ancient petroglyphs. Though most of the text was written in Spanish with various shortcuts to reduce the number of characters that had to be carve into the stone, it can still be read by those who know the language. At some point over the intervening years someone has traced the characters in some examples with some form of graphite or charcoal.
The following examples are noted by a prominent feature or word within the image. My interpretations may not be accurate.